Tips & Tricks: Creating a Symphonic Rock Style out of Mondo Rock

Welcome back! In this 3rd episode we’ll look at the Mondo Rock Style in UJAM.

Have a browser window open with UJAM loaded up and follow along. I suggest you load the Rejam Template “Electro 1″, but you’re welcome to use any of your own songs too, as always.

To use Electro 1, go to Create, pick “Rejam a Song Template”, and click the Rejam button for Electro 1.

What you wanted to know about Mondo Rock

Mondo Rock is a heavy, uptempo, modern hard rock style with gritty guitars and pounding drums. It was produced by Rick Di Fonzo in a real studio using real guitars and other instruments – just in case you wondered why it sounds real.

Tip: This style requires a powerful voice or instrument to carry as a melody. Don’t even try humming or using the humble nylon guitar, it’ll be buried under a wall of sound.

Let’s dive in:

With “Electro 1″ open, load “Mondo Rock” from the Rock genre and mute the melody instrument by setting the Mix slider at the bottom right to -5.

Now play your song from beginning to end and try to imagine how many players are involved.

Now hit “Edit Style” – surprisingly, there’s only 4 tracks: Drums, Bass, 2 guitars. Let’s look at them one after another.

Taking the style apart

Mute all tracks except drums, by clicking the little speaker icons at the bottom left of each instrument symbol. (Tip: That’s one of many ways to customize styles, by the way.)

The drums are typical heavy drums. Very punchy – they have to be, as they have to cut through dominant rock guitars. Play the song and notice how the drums vary between verses and chorusses.

Now add the bass by unmuting it. You’ll notice it sounds pretty metallic and powerful, a typical rock bass sound.

Next, unmute the “Gritty Guitar”. You’ll notice it doesn’t play in all song sections, and it plays different stuff in say Chorus 1 and Chorus 2. It’s a low, “chugging” rhythmic guitar.

Last but not least, unmute “Rock Guitar” – that’s a high, cutting-through power chord guitar, complementing the Gritty Guitar for edge.

Adding tracks

Ok, let’s add some orchestra. In UJAM, you can easily add tracks from other styles to the preset styles. Tip: this is a very powerful tool for making songs sound original based on your own ideas (in other words, making them sound like you).

Since the rhythmic foundation of the style is already there, we’ll just add strings and some timpani.

In the track browser atop the instrument icons, select “Strings” from the first column, then “Soundtrack” from the second column. There you have four sections of strings.

Simply click the names of the instruments in the right column to add them. Adding all four can be a bit much. I suggest you leave it at the Cellos and Violas, but entirely up to you. It will sound pretty orchestral already, but let’s add one extra accent:

Select Drum, Soundtrack, and pick Timpani. (Trick: this gives the track instant “Gladiator” feel.)

That’s it for today’s tips & tricks session – now you’ve got a symphonic rock style from editing the Mondo rock style in UJAM. In the next column, we’ll build a style from scratch. Stay tuned and keep jamming!

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See Peter’s earlier posts in the Tips & Tricks section of our blog, including his introductory two-part series on arranging and building styles in UJAM (part 1 | part 2).

The Culture of Do-It-Yourself Music: How Will You Set Yourself Apart?

There have been countless articles, from online journals and magazines – one notably in Wired UK earlier this year – discussing how different the music industry is these days.How much easier, and harder, it is for bands to make it, as we are all navigating the still somehow “new” space of the internet. Bands try to balance physical tours and face-to-face presence with online presence and marketing to their fans. And there’s the question of downloading music legally and illegally across the world and how artists get recognition for their work anymore.

How is it that in a world where we are already taking for granted the ubiquity of the internet, we haven’t yet managed to figure out how to rocket an artist to fame using the internet? Have we missed a beat, in musical and social terms, by not capitalizing yet on the possibilities that the internet offers? Or is it simply a matter of time before someone does hit it big with a presence that is based solely on their engagement over the waves of the internet?

I’m optimistic, and I think it’s the latter. I think the pieces of the puzzle are being put together, by innovative artists out there, by people who support the movement to democratize music, by supporting the outlet that creative people need to get their voices heard. Of course, that’s in large part because I feel like I’m in the middle of the movement. I’m watching people like Madeline Bell get discovered where before her talent was little known, and listening to great tracks every day that are shared with people all over the world.

And yes, there are other examples of stars who made their start – most notably with videos on YouTube – and have achieved fame, or notoriety, from it. But there hasn’t yet been a wave of stardom to slap us in the face like many expected years ago as the internet took shape as a major force in all of our lives.

But I want to see it go even farther. A big part of me knows we’re still just at the beginning. And I know I’m not the only one.

Experts have noted the demise of the CD sector of the industry, the vacuum that social media creates in a huge percentage of the population’s time online, our interest levels peaked with the sights of each new site on the web.

It’s time for us, the creative crowd, the artists, the writers, the studio musicians, the instrument players, the band leaders, to get a bit more clever in our use of the internet. It’s a tool, like any other technology out there, to be used for something. What is that something? Well, there are infinite answers to that question. And that’s the point: we should be seeing infinite creativity from the stars of tomorrow, building their way on the invisible yet tangible steps of the internet stage that allow us every democratizing force we need to start a movement.

So get your guitar picks out, or put your studio headphones on, warm up your voice, and press record. It’s time to be heard.

Tell us your thoughts, in words or in a song, and leave your comments here.

The Dark Knight’s Return to Video Games

As if the upcoming premiere weren’t enough, those of us who are also video game fans have also enjoyed some graphically inviting scenes from Batman: Arkham City, the video game followup to the 2009 hit Arkham Asylum.

USA Today‘s article reveals some hot graphics from the video game, and quotes the game director Sefton Hill, who says that it was only natural for the game to return to Gotham City, Batman’s “spiritual home.” Warner Bros’ community page for the game adds:

Set inside the heavily fortified walls of a sprawling district in the heart of Gotham City, this highly anticipated sequel introduces a brand-new story that draws together a new all-star cast of classic characters and murderous villains from the Batman universe, as well as a vast range of new and enhanced gameplay features to deliver the ultimate experience as the Dark Knight.

Well, with Warner Bros‘ Batman: Arkham City release and Ubisoft‘s recent release of Assassin’s Creed: Revelations, it’s not hard to imagine what millions of people will be doing this weekend. Enjoy, everyone!

Read the USA Today article on Batman: Arkham City here. Visit the Batman: Arkham City community page here. See our earlier post on the release of Assassin’s Creed: Revelations here.

Choosing Music

We have so many choices in life. We choose our friends, choose our universities, our courses, our hobbies, our meals, our clothes, our daily activities. And of course, we choose the music to go along with everything in our lives.

Whether you consider music an overarching soundtrack to life or a set of specific playlists by occasion, music is a choice we all take upon ourselves as a reflection of who we are. It’s an act of self-expression to play the songs we play on our iPods, even if no one is listening but us.

So when we are also the creators of our own music, we’ve got an interesting role to fill. Is it that no other music in existence can express what we feel inside? Perhaps for some, it is. Or is it that we simply enjoy the process of writing songs as a creative outlet? For many of us, that may be the case. Often, it’s a combination of roles that we see music filling, as we create tracks to accompany our karaoke sessions, our songwriting endeavors, and our passion for music.

Whatever the purpose of music in your life, it’s important to realize that it’s also a universal trait of human cultures to use music as a tool for self-expression, identity, and communication. Even listening to music in isolation somehow connects us to a wider community – whether it’s to the artist who wrote that song, or to the other people we know who listen to it, or to things in our past that remind us of the power of music as a barrier-breaker.

It’s also important to step back and realize that music is never as isolated as some may perceive it to be. It’s a collective pursuit, a passion among millions of people, all over the world.

It’s encouraging to know that we’re never on our own when it comes to music … even if we listen to it through a single set of headphones, alone in our rooms.

Happy musicking, everyone.

 

Tips & Tricks: Recording a Melody in UJAM

In this post, we’ll give you some helpful hints to make sure your melody is recognized and recorded at its best quality in UJAM – without having to buy any expensive external gear to make it happen. First hint: it’s not all about which microphone you have.

Of course, if you are interested in finding great gear – like a great mic for a great price – you can read some tips from pro singer Alison Lewis in our earlier post, “Which microphone is best?”.

It doesn’t matter if your microphone setup is built-in, external, fancy, or plain – these are some tips that apply to everyone, and will help you achieve a better overall quality of melody recording and recognition in UJAM:

  • Make sure you’re in a quiet environment – nothing but your singing should be recorded.
  • Check your microphone level: Sing loudly and set the level so the meter is in the middle of its right (or upper) half.

  • Wear headphones when you sing along with click or playback – otherwise the click and playback noises will end up in your recording. This doesn’t sound good. Plus, it distracts the algorithm that is working to recognize your rhythms and notes properly.
  • Try to sing exact, steady notes. Heavy vibrato, for example, throws off the recognition of notes and may not come through clearly in the recording. Controlled singing with steady pitches works best in this stage.
  • If your singing is hopeless, don’t worry. Try humming or whistling – sometimes it’s easier to hit the right notes that way. Or, play an instrument instead. In fact, a musical instrument is much easier to analyze than the human voice. But remember: only play one note at a time. Chords won’t be recognized in the initial recording phase of UJAM – you’ll add and edit those later.
We all know what it’s like to have a frustrating recording session where things just don’t go the way we expect. These tips should help ensure that your melody recording is smooth and effective, to set you off the right way in your session.
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Join us in the next Tips & Tricks post for more insider tips and helpful hints, and let us know what you want to learn more about. For technical questions, also refer to our FAQ page. Add your comments here and join the discussion.

Assassin’s Creed: Revelations is Here

The much-anticipated release of Ubisoft’s Assassin’s Creed: Revelations is upon us. Have a look at the first 10 minutes of game play here (and have a listen, too):

Recognize that lovely voice in the background about 3 minutes in? That’s Madeline Bell, winner of the Assassin’s Creed: Revelations contest hosted by UJAM in September.

We’ve got to boast our praises again for Madeline, whose beautiful voice graces listeners and players of Assassin’s Creed: Revelations. Watch the “Making Of” video again to see Madeline’s contribution to the acclaimed Assassin’s Creed legacy. It’s great to see Madeline’s talent recognized, while also supporting the Assassin’s Creed: Revelations release. Thanks and congratulations again to everyone who contributed their renditions of the theme song in the contest, and we hope you enjoy Assassin’s Creed: Revelations!

 

See our earlier post on Madeline’s Assassin’s Creed adventure. Visit Ubisoft’s site to learn more about Ubisoft and the Assassin’s Creed: Revelations release. Share your thoughts with us about Assassin’s Creed: Revelations in the comments field here. You can watch the German version of the first 10 minutes of game play here.

Tips & Tricks: How does Song Form work?

What are some common features of the tunes we like the most? Well, for one, they probably have catchy melodies, and especially catchy choruses – sometimes so catchy we can’t get them out of our heads. And that’s one of the recipes for success in a great song.

Song Form in UJAM makes it possible to make meaningful songs with distinct sections – i.e. intros, verses, choruses, and endings. As we all know, this makes a world of difference in producing great music.

But how does Song Form work? What makes up each part within Song Form, and how do you make the most of it? We’ll break it down for you here so you can put Song Form to its best use in your next track.

For each style, there are five different song parts: Verse 1, Verse 2, Variation 1, Variation 2, Chorus 1, Chorus 2. From left to right, these parts have increasing intensity, from light (Verse 1) to full (Chorus 2). “Variation 1″ is usually a breakdown, “Variation 2″ is usually a bridge or solo part. In addition, there is a short and long intro as well as a short and long ending.

Don’t worry – you need not know the musical theory behind these sections to get the most out of using Song Form.

By default, a basic song structure is automatically added to any new recording after choosing a style. For short recordings, “Chorus 1″ will be selected, as well as a short intro and ending. For long recordings, UJAM tries to pick and add a matching selection of song parts, as well as short intro and ending.

It doesn’t stop here. At any time, you can edit the song form to your taste by adding or removing song parts. You get to choose whether you want a short or long intro and ending – or no intro and ending at all. You can change your mind and try out different ones by clicking and dragging them while you’re in the UJAM Studio.

Tip: Listen to some of your favorite songs and take note of what song parts they use – how long is the intro, and what’s the chorus like? It may be simpler than you think to pick out the parts of a song that make it distinct, and you can apply the same ideas to your own track.

Trick: It’s always a good idea to experiment with different song parts to see what works best for your track. You may think a short ending is perfect, but end up finding that a long ending makes the song that much sweeter. Give it a try, and share your tracks with us!

We’ll have more on Song Form, editing, and all sorts of musical tips & tricks in future posts. Tell us what you want to learn more about and we’ll create a post on it. Have fun with your next session!

Voice by Voice, The Dark Knight Rises

Here’s a snapshot of The Dark Knight’s Facebook page – a great way to get excited about the upcoming premiere, see how many people are talking about it around the world, and add your voice to thousands of others. Remember, besides the really cool musical opportunity, this chant gives you a chance to be included in The Dark Knight Rises.

Add your voice and join the conversation.

Have a great weekend everybody!

Add Your Voice and Join the Conversation: The Dark Knight Rises Chant

How’s your chant coming along for The Dark Knight Rises?


Record your chant if you haven’t already. And here are some other places you can go to join the conversation:

  • Hans Zimmer’s Facebook page: share thoughts about your renditions of The Dark Knight Rises chant and learn more about the film score master behind the legend of The Dark Knight Rises.
  • Christopher Nolan’s fan page: see some great posts on The Dark Knight Rises and how you can make the most of your chanting
  • The Dark Knight Rises website: download the official poster, and watch the trailer to get excited about the 2012 premiere
  • UJAM’s Facebook page: we’ll keep you updated with the latest news about The Dark Knight Rises chant challenge

If you’ve got questions about your chant, write to us at support@ujam.com. We’re almost one week in to the challenge of building a worldwide chant, and every voice counts. Good luck chanting, everyone!

“Let Your Voice Be Heard”: The Dark Knight Rises Chant Grows

The air continues to buzz with excitement about the chance to be part of The Dark Knight Rises. Have you submitted your chant yet? If you haven’t, it’s time to equip yourself with the guts to go all-out. Give this your best shot and make it yours.

Hans Zimmer tells all of us, “We are creating the sound of a worldwide chant.” Thousands of voices, from all over the globe. “Let your voice be heard and be a part of our adventure!”

The opportunity to contribute our voices to thousands of others in a call-and-response chant is not only a unique musical event, it’s part of a legend, and a film that’s got everybody anticipating the 2012 premiere.

Remember, there’s no such thing as out-of-tune, it’s all about making a unique contribution and giving this your voice. Record your chant and cast your voice into a crowd of thousands for The Dark Knight Rises.

And in case you want more reason to be excited about the premiere, you can now download the official poster from The Dark Knight Rises website.